Showing posts with label amy-jo tatum. Show all posts
Showing posts with label amy-jo tatum. Show all posts
Linen/silk chiffon and Chantilly lace cap-sleeved dress with full crinoline petticoat. Ecru silk headband with ivory silk dupioni handrolled rose has a pink jewel button in the center
The Chanel Look spanned several eras of changing fashion. Her most notable signatures are close fitting cloche style hats, halters, separates, jerseys and strands of many different pearl necklaces all worn at once. Pictured here is a Chantilly lace halter paired up with a long shantung skirt with a sweep train. The sizel hat is a combo cloche and picture hat so evocative of Chanel's time. A Shantung Bow with netting lends a great 1940s feeling.
Boho is back! Theres a mix of imported Chantilly laces on the bodice. The full skirt is gathered silk chiffon lined in crepe backed satin. Bodice has lace cap sleeves and is accented with a gold braid tie belt. Floral head wreath is made up of dried roses and Baby's Breath . . .
Val lace over blouse with blue satin tie belt gives this design a very Audrey look. The skirt is four layers of tulle and a separate slip of crinoline and tulle. Detailed touches include a row of buttons down a V-back
and it is all pulled together with a blue sash.
and it is all pulled together with a blue sash.
Above: This tea gown could be right out of a Jane Austen Novel. A white silk dupioni sheath draped with Chantilly lace on the skirt and bodice. Back details include a row of covered buttons and lace tie-back. Price upon request. It can be special ordered in white or ivory through Amy-Jo Tatum Bridal
Below: Perfectly chosen accoutrements to go with the romantic tea gown. At top right the fascinator is Ivory Chantilly lace and crepe with beaded Venise lace edging. Embellishment is two handrolled silk shantung roses. Below left is the horsehair fascinator/veil hybrid accented with a tulle rose and bow. Below Right:Something old. A pair of genuine antique pearl earrings.
All bridal Wear and accessories available through Amy-Jo Tatum Bridal Couture
Stephanie WilliamsIf there is such a thing as visual poetry it is in these images. All are from a recent photo shoot I had with Orange County wedding photographer Stephanie Williams. We shot five of my gowns in various locations around San Juan Capistrano, California--including the mission. While I'm seeing more 'real wedding albums' with this sort of editorial feel, for me Stephanie's work is the quintessential. READ AND SEE MORE IMAGES . . . .
Fortunately we're in an era when it's okay to wear a wedding gown that looks like lingerie. All the choices here echo nightgowns from the 30s-40s era therefore also look vintage, don't you think?
Here's another fortunately: Your options for accessorizing are many. Pair up any of these gowns with a veil or mantilla and they go classic; nearly any hat, vintage. Try a floral wreath and suddenly the gown goes Boho.
başlıksız by Revan featuring Forever21 belts
I always thank those wonderful creative people over at Polyvore who dream up these gorgeous boards. They're so inspiring and have helped me get dressed all those days I need that little extra ommph to put myself together.
I instantly fell in love with this embroidered silk organza before it ever took the form of the above 1950s silhouette. Recently to slide off the work table, 'April' is the newest in my 'Dioresque Collection'--layers and yards of skirt under a tiny, cinched waist.
Somewhere between semi-formal and high fashion, I find the just-above-the-ankle Ballerina length so flattering--especially when worn with Barbie-doll heels or ankle-straps a la 1950s . .
The stunning photo was taken in San Juan Capistrano, California by the very talented wedding and fashion photographer, Stephanie Williams, who has a name for making her brides look like models and models look like real brides.
CREDITS
Photography by S1 Studio
Headpieces and gowns: Amy-Jo Tatum Bridal Couture
Make-up Artist: Nida Nafees
Hair: Dana Faulkner
Flowers: Victoria's Florals and Events
Models: Shauna Yonan
Corinne Doherty
Olay! A mantilla paired up with a lace dress to match can say old world traditional and sexy all at once.
The Vintage Chic Bombshell-Above:A strapless silk dupion and chiffon gown topped off with a Venise-lace trimmed pancake hat circa 1940s with cage veil.
Below: A Chanel neck treatment of multiple strands of pearls gives this Silk dupioni dress a real 1940s look. Added touches: the point d'espirit and hand rolled silk rose headpiece.
Another vintage classic, the silk taffeta sheath above is accented with silk flowers, dappled petals on the train and a Chantilly lace bodice.
What could go more bridal than a classic ballgown silhouette? Layers of white cotton tulle skirt over yards of crinoline beneath. Chantilly lace bodiice backed with pastel blue satin makes the floral motifs on this bodice really pop . . .
Classic and modern: A traditional silk and lace sheath with a sleek and contemporary down do. Why go for a veil when your hair could be your crowning glory . . . ?
Boho's back. The floral head wreath, lace and tulle conjure that waif look reminiscent of A Mid-Summer Night's Dream, fairy tales, and wood nymphs . . .
Be a 1950s bombshell in this organza and lace hourglass with a halter and generous splash of petticoat 
Why not add some edge to your bridal look with a Chantilly lace jabot and jaunty gaucho hat? Black and white polka dots really cinch the look . . . . 
jenniferbehr.com.What could be more perfect for the beach or destination bride than these marvelous floral headpieces by Jennifer Behr? Study these flowers out closely and they look amazingly real . . .
jenniferbehr.com.
jenniferbehr.com.For brides making that no-veil decision, this stunning site packed with head gear is definitely worth checking out . . .
Welcome Spring in with the 'Sophia' Gown. Best worn against the back drop of greenery and blooming flowers, 'Sophia' is an A-line cut, wrapped in ivory gathered tulle from bodice to hem. Handmade pink organza rosettes secured with pink quartz beads are dappled all over the dress and matching shawl.
'Sophia' was conceived and designed with the outdoor and/or more informal wedding in mind. Accessorized here with a trio of pink roses as head piece, 'Sophia' would look just as stunning paired up with short or long veil. A picture hat wrapped in tulle is another option for this gown that would set it into high fashion/romantic dressing . . .
To order or ask questions about 'Sophia' you can either call or email me. I'm in the San Francisco Bay Area.415.258.8204
Model: Natalie Angela
A little imagination goes a long way. Such is the pairing of custom design on the stunning Natalie Angela who saw this cloud of soft pink organza in her mind and went on the hunt for a pattern and fabric. The 1957 Butterick pattern below was her inspiration point. I love these vintage patterns and buy them often just to check out the dart and seam lines of the day (yes, they were slightly different back then).
The 'Pink Photos' as I call them were taken by San Francisco photographer, John Carmen whose work captures a scope of real and true detail.
Yes, the styles in the pattern below remind me of something worn by January Jones on Mad Men, my favorite show.
Boho is here. Meet the new version of MUSETTA. A mix of imported Chantilly laces on the bodice. The full skirt is silk chiffon lined in crepe backed satin. Cap sleeves and accented with a gold braid tie belt.
Want to see more images of Musetta? Available through Etsy or custom order at Amy-Jo Tatum Bridal
Lace and cotton Georgette. Combined they make a luscious combination. The 'Mira' dress is part of the Dioresque series, a capsule collection of dresses redolent of the 1950s era. A halter top in Chantilly lace sits atop a full gathered skirt.
This dress could easily go semi-formal or less formal depending on accessories. A fingertip veil paired up with gloves would put it into the former category while fascinators, hats and cage veils the latter. Here, the model is going somewhere in-between and looks like she might be opting for a restaurant or small garden wedding. If you want to see more gowns like this check out my site http://www.amyjotatum.com/. Also, if you want to place an order or simply talk about this gown call me 415.258.8204. I'm in the San Francisco Bay Area.
Part of the White Lace and Silk Series, CIARA is one of the most fem things in the collection . . .A little bit Belle Epoque, a little bit 1940s, ivory silk dupioni is the perfect fabric for this A-line gown with handroled floral asymmetrical shoulder treatment
Bunted skirt with Chantilly lace border petticoat . . . Gown and Point d'espirit headpiece available through custom order Amy-Jo Tatum Bridal
Bunted skirt with Chantilly lace border petticoat . . . Gown and Point d'espirit headpiece available through custom order Amy-Jo Tatum Bridal
To see more images of CIARA go to White Lace and Silk Collection
When it comes to bridal wear, silks rule. Made from the cocoons of silkworms, around 2500 B.C. the Chinese discovered and developed the process of weaving it into fabric. China is still the largest producer and exporter of 80% of the world’s silks. Most silk weaves are luxe, opulent and suggest a certain formality ideal for the bridal gown. Tightly woven silks like duchesse satin have a luster and are ideal for structured silhouettes, whereas loosely woven silks like charmeuse and crepe lend themselves to drapery. Choosing the right silk depends on the style of your gown in addition to time of day of day and year your wedding takes place.
sourceSILK WEAVES
Brocade-Pictured below. Heavyweight fabric used in structured silhouettes. The elaborate patterns of this fabric are created by mixing muted and glossy yarns in matching (sometimes contrasting) colors. Most bridal gowns made out of brocade have a surface design of florals though I once saw a gown with some interesting geometric patterns. Brocade molds perfectly in sheath and A-line silhouettes. A fall/winter fabric, brocade is an excellent option for bridal suits.
Brocade-Pictured below. Heavyweight fabric used in structured silhouettes. The elaborate patterns of this fabric are created by mixing muted and glossy yarns in matching (sometimes contrasting) colors. Most bridal gowns made out of brocade have a surface design of florals though I once saw a gown with some interesting geometric patterns. Brocade molds perfectly in sheath and A-line silhouettes. A fall/winter fabric, brocade is an excellent option for bridal suits.
Photo by Ron Greystar
Charmeuse (aka crepe-backed satin)-Lightest weight of all the satins. This fabric has a glossy finish that clings and drapes the body beautifully. No other fabric evokes the image of the white, bias-cut evening gown quite like charmeuse. Works best in evening gown and slip dress styles.
Chiffon-Lightweight and transparent, the delicacy of this fabric makes it best for billowing sleeves, cowl draped necklines, ruffles, ruched bodices and long, airy trains. See-through dresses worn over slips can be made of chiffon. Full skirts in chiffon are ethereal and can be layered. Be careful if you’re planning on dressing your bridesmaids in full skirts of pastel chiffon. Unless you have a stylistic eye they could come off like they’re auditioning for The Lawrence Welk Show.
Crepe (aka crepe de chine)-Lightweight and drapey, the crinkled surface is achieved by a hard-twisted yarn process. To get a sense of what crepe is like, look at the subjects of any Maxfield Parish painting. Though it’s available in wool, cotton and rayon, silk reigns the favorite due to its incredible swathe and drape effect. Like charmeuse, crepe is another 1930s Hollywood glam fabric and a natural for the bias cut evening gown. Can likewise look great in a shirtwaist and chemise style.
Damask-Lighter weight than brocade, damask is a jacquard fabric with woven designs thorough out. Best for structured silhouettes.
Duchesse Satin-Medium weight satin with a glossy finish. A staple of traditional bridal wear, it has versatility whereas it works for strait as well as full silhouettes.
Dupioni-Made from thick uneven yarns rolled from double cocoons. Has irregular slubbing and lustrous texture. Ideal for fuller silhouettes yet I have used this continually in sheath and modified A-lines with excellent results.
Faille-Medium to heavy weight, cross-ribbed fabric with a tight weave. Works best in structured silhouettes like the one pictured above.
Gauze-Lightest weight transparent fabric. Since it’s lighter than chiffon it has an airy quality perfect for light trains, veils and scarves.
Georgette-Pictured below. Lightweight and sheer fabric made from twisted yarns. Somewhere between chiffon and crepe, it has a crinkly appearance surface.
Chiffon-Lightweight and transparent, the delicacy of this fabric makes it best for billowing sleeves, cowl draped necklines, ruffles, ruched bodices and long, airy trains. See-through dresses worn over slips can be made of chiffon. Full skirts in chiffon are ethereal and can be layered. Be careful if you’re planning on dressing your bridesmaids in full skirts of pastel chiffon. Unless you have a stylistic eye they could come off like they’re auditioning for The Lawrence Welk Show.
Crepe (aka crepe de chine)-Lightweight and drapey, the crinkled surface is achieved by a hard-twisted yarn process. To get a sense of what crepe is like, look at the subjects of any Maxfield Parish painting. Though it’s available in wool, cotton and rayon, silk reigns the favorite due to its incredible swathe and drape effect. Like charmeuse, crepe is another 1930s Hollywood glam fabric and a natural for the bias cut evening gown. Can likewise look great in a shirtwaist and chemise style.
Damask-Lighter weight than brocade, damask is a jacquard fabric with woven designs thorough out. Best for structured silhouettes.
Duchesse Satin-Medium weight satin with a glossy finish. A staple of traditional bridal wear, it has versatility whereas it works for strait as well as full silhouettes.
Dupioni-Made from thick uneven yarns rolled from double cocoons. Has irregular slubbing and lustrous texture. Ideal for fuller silhouettes yet I have used this continually in sheath and modified A-lines with excellent results.
Faille-Medium to heavy weight, cross-ribbed fabric with a tight weave. Works best in structured silhouettes like the one pictured above.
Gauze-Lightest weight transparent fabric. Since it’s lighter than chiffon it has an airy quality perfect for light trains, veils and scarves.
Georgette-Pictured below. Lightweight and sheer fabric made from twisted yarns. Somewhere between chiffon and crepe, it has a crinkly appearance surface.
Amy-Jo Tatum Bridal
The gown above was painstakingly made of silk gauze, a fabric ordinarily so delicate it can only be used for trains and drapes as on the gown below.
Henley Photography Georgette-Lightweight and sheer fabric made from twisted yarns. Somewhere between chiffon and crepe, it has a crinkly appearance surface.
Marquisette-Very light mesh fabric. Drapes like chiffon and georgette. A very hard fabric to find.
Mikado-Medium weight twill weave with beautiful luster. Ideal for both A-lines and full skirts. Used by more and more designers in recent years, brides love the surface sheen of this fabric..
Moire-A treatment of watermarking given to fabric, leaving an undulating, watery finish. Most moiré is either faille or taffeta.
Organza-Light, springy and transparent fabric. Once considered suitable only for summer, organza is now year-round and widely used in gowns requiring full skirts, A-lines, trains, veils, drapes and overlays.
Peau de Soie-Pictured below. Heavier-weight satin with dull finish. Structures well in either straight or full silhouettes. Ideal for tailored gowns and suits.
Marquisette-Very light mesh fabric. Drapes like chiffon and georgette. A very hard fabric to find.
Mikado-Medium weight twill weave with beautiful luster. Ideal for both A-lines and full skirts. Used by more and more designers in recent years, brides love the surface sheen of this fabric..
Moire-A treatment of watermarking given to fabric, leaving an undulating, watery finish. Most moiré is either faille or taffeta.
Organza-Light, springy and transparent fabric. Once considered suitable only for summer, organza is now year-round and widely used in gowns requiring full skirts, A-lines, trains, veils, drapes and overlays.
Peau de Soie-Pictured below. Heavier-weight satin with dull finish. Structures well in either straight or full silhouettes. Ideal for tailored gowns and suits.
Giuseppe PapiniPongee-Raw silk with a wild, natural feel. Typically comes in a natural tan shade. Once standard for men’s suit lining, pongee is the ideal lining for gown bodices wherever inner structure is needed. Though pongee can be the perfect lining choice, it shouldn’t be overlooked for shirtwaists, chemise styles and relaxed A-lines like the trapeze. Good option for the wedding party, especially the little ones.
Satin-faced Organza-Another trendy fabric, it has the spring of regular organza and the luster of a satiny finish. Ideal for full A-line skirts.
Shantung-Rough, plain weave with irregular slubbing. Another ideal lining fabric depending on the weight. Silk as well as synthetic versions of shantung are often used for attendants.
Taffeta- Stiff, crisp, lightweight cross-rib weave. Taffeta can have either a slight luster or muted finish. It can be shaped, adding volume without bulk and weight, making it an ideal choice for A-lines and ball gowns. Nice in a sheath silhouette providing it has some kind train preferably of the same fabric with some degree of fullness.
Tulle-Pictured below. Fine mesh netting with hexagonal pattern that comes in silk or nylon. Tulle is standard material for bridal veils. Also used in bouffant skirts like the one pictured below, proffering that ballerina look Vera Wang popularized a few years back. While the big tulle skirt is classic, edgier versions of late suggest special effects like draping, rouching and pick-up treatments over more modified skirt silhouettes. Not to be overlooked for trains done in layers.
Ron Greystar PhotographyGowns by Amy-Jo Tatum
Henley Photography
Henley PhotographyVelvet- Heavy-weight, napped fabric. Perfect for the winter bridal suit. The cut velvet pictured above works well in any season.
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